 | DRAMATIC ART: COURSE DESCRIPTIONS
Not all courses listed will necessarily be offered each year. Courses are three hours a week (3.00 credit hours) unless otherwise indicated.
24-100. The Nature of Theatre I
Two of the following topics will be covered: the analysis of the play script; the mechanics of performance; the principles of direction; and theories of design/technical theatre. Students are required to be crew members for one University Players production. (Laboratory hours by arrangement.)
24-111. Theatre in Contemporary Culture
An examination of factors and principles involved in an audience's appreciation of theatre. (No prerequisite.) (Open to non-Dramatic Art majors.)
24-115. Stagecraft I
Introductory course specifically directed toward the technical aspects of scenic construction.
24-120. Voice for the Actor I
An introduction to the study and practice of voice and speech for the theatre. (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-121. Voice for the Actor II
Continuation of 24-120. The study and practice of voice and speech for the theatre. (Restricted to B.F.A. Acting students only.) (Prerequisite: 24-120.) (Laboratory hours by arrangement.)
24-126. Movement for the Actor I
An introduction to the study and practice of movement for the actor. (1.50 credit hours) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-127. Movement for the Actor II
Continuation of 24-126. The study and practice of movement for the actor. (Prerequisite: 24-126.) (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-128. Improvisation and Introduction to Acting for the Theatre I
An introduction to the study and practice of acting with an emphasis on the basic elements of improvisation. (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-129. Improvisation and Introduction to Acting for the Theatre II
Continuation of 24-128. The study and practice of basic elements of acting and improvisation (Prerequisite: 24-128.) (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-130. Theatre History I
A study of the main elements of Greek, Roman, medieval, Italian, and English Renaissance Theatre. (Open to non-Dramatic Art majors.)
24-200. The Nature of Theatre II
Continuation of 24-100. Two of the following topics will be covered: the analysis of the play script; the mechanics of performance; the principles of direction; and theories of design/technical theatre. Students are required to be crew members for one University Players production. (Laboratory hours by arrangement.)
24-210. Speech Communication to Inform
A beginning course designed to help the student to develop poise and confidence in communicating information. (Not available on an Audit basis.)
24-211. Scenic Design I
Introduction to the technical aspects of design for the stage; communicating the design idea through basic drafting techniques. (Prerequisite: 24-115, or consent of instructor.)
24-212. Scenic Design II
Problems related to the designing of a multi-set production; communicating the design idea through the use of draftings, models, and colour renderings. (Prerequisite: 24-211 and 24-213, or consent of instructor.)
24-213. Scene Painting for the Theatre
Laboratory and demonstration course with an emphasis on materials, texturing techniques, and the creation of three-dimensional effects.
24-218. Voice Techniques
A description of the processes and techniques involved in breathing-phonation-resonance-articulation for healthy voice. (No prerequisite.) (Not available on an Audit basis.) (May not be taken for credit toward a B.F.A. Acting degree.) (Open to non-Dramatic Art majors.)
24-220. Voice for the Actor III
Continuation of 24-121. The study and practice of voice and speech for the theatre. (Prerequisite: 24-121.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-221. Voice for the Actor IV
Continuation of 24-220. The study and practice of voice and speech for the theatre. (Prerequisite: 24-220.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-223. Acting for the Theatre I
Continuation of 24-129. The emphasis will be on acting exercises, script analysis and scene work. (Prerequisite: 24-129.) (Restricted to B.F.A. Acting students only.) (May be taken twice with the consent of instructor if assignments or their treatments are significantly varied.)
24-224. Acting for the Theatre II
Continuation of 24-223. The emphasis will be on the analysis and performance of scenes from plays. (Prerequisite: 24-223.) (Restricted to B.F.A. Acting students only.) (May be taken twice with the consent of instructor if assignments or their treatments are significantly varied.)
24-225. Introductory Acting I
A practical study of the fundamentals of acting experienced through acting exercises. (Not open to B.F.A. Acting/Music Theatre students.)
24-226. Movement for the Actor III
Continuation of 24-127. The study and practice of movement for the actor. (Prerequisite: 24-127.) (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-227. Movement for the Actor IV
Continuation of 24-226. The study and practice of movement for the actor. (Prerequisite: 24-226.) (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-228. Improvisation for the Theatre
(Continuation of 24-129.) Application of the basic elements of improvisational acting to advanced, spontaneous scenes, and the preparation and presentation of acting exercises. (Corequisite: 24-223 or 24-223.) (Restricted to B.F.A. Acting students only.)
24-229. Dance for the Theatre
A practical course in a variety of dance styles for the theatre.(Not open to BFA Acting or Music Theatre Majors except by consent of instructor ) (Laboratory hours by arrangement.)
24-230. Theatre History II
A study of the main elements of French and English theatre of the seventeenth, eighteenth, and nineteenth centuries. (Open to non-Dramatic Art majors.)
24-235. Introductory Acting II
Emphasis is on acting exercises based on script analysis. (Prerequisite: 24-225, or consent of instructor.) (Not open to B.F. A. Acting/Music Theatre students).
24-244. Directing I
An examination of the principles of play direction, including the role of the director, choosing plays, casting, analysis, picturization and composition, rehearsal techniques, and scene presentation. (Prerequisite: 24-225, or consent of instructor.) (Laboratory hours by arrangement.)
24-270. Introduction to Drama in Education and Community I
An introduction to the principles, theories and applications of Drama in Education and Community with an emphasis on creativity, storytelling, and the developmental aspects of play. (Restricted to Drama in Education and Community Majors, or consent of instructor.)
24-271. Introduction to Drama in Education and Community II
A continuing study of Drama in Education and Community. (Prerequisite: 24-270 or consent of instructor.) (Restricted to Drama in Education and Community Majors, or consent of instructor.)
24-272. The Creative Process
An interdisciplinary introduction to the creative process through an exploration of the lives and works of selected creative women and men. Topics include imaging, dreaming, associating, innovating, and problem solving. (Open to students from any area of study in the University.)
24-277. Improvisation and Self Development
Involves the development of performance skills through a practical application of theatre games and basic elements of improvisation with emphasis on self-development. (Prerequisite: 24-270 or consent of instructor.) (Individual course sections may be restricted to Drama in Education and Community students only.)
24-278. Improvisation: Working with Text
A continuation of the study of improvisation. Involves practical applications of improvisation to improvised scenes and written texts. (Prerequisite: 24-277 or consent of instructor.) (Individual course sections may be restricted to Drama in Education and Community students only.)
24-284. Creative Movement and Voice I
The study and practice of movement and voice as they relate to the individual, theatre, and the classroom. Emphasis may be on one or both disciplines as necessary. (Prerequisite: 24-100 or consent of instructor.) (Laboratory hours by arrangement.)
24-309. Oral Interpretation of Literature
A course designed to bring to the student an understanding of effective methods of content analysis and presentation of literature. Various kinds of literature will be chosen by the student through the oral interpretation of which he or she may demonstrate an understanding and ability.
24-310. Readers' Theatre
A study of the principles and techniques involved in script-in-hand acting and of dramatic play-reading. (Prerequisite: 24-225 or 24-277.)
24-319. Studies in Design
Designed for the advanced student who wishes to explore further studies in scenic, lighting, or costume design. (Prerequisite: consent of a faculty advisor.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-321. Acting-Work in Progress I
Rehearsal project in a performance style selected by Dramatic Art. The play or scenes from plays become the catalyst for the discovery of the style related to its period. (Prerequisite: 24-224.) (Restricted to B.F.A. Acting students only.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-322. Acting-Work in Progress II
Rehearsal project in a performance style selected by Dramatic Art. The play or scenes from plays become the catalyst for the discovery of the style related to its period. (Prerequisite: 24-224.) (Restricted to B.F.A. Acting students only.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-323. Acting-Work in Progress III
Rehearsal project in a performance style selected by Dramatic Art. The play or scenes from plays become the catalyst for the discovery of the style related to its period. (Prerequisite: 24-224.) (Restricted to B.F.A. Acting students only.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-324. Acting-Work in Progress IV
Rehearsal project in a performance style selected by Dramatic Art. The play or scenes from plays become the catalyst for the discovery of the style related to its period. (Prerequisite: 24-224.) (Restricted to B.F.A. Acting students only.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-325. Intermediate Acting III
Emphasis is on the development of situation and characterization. The period to be studied may vary from year to year. (Prerequisite: 24-235 or consent of instructor.) (Not open to B.F.A. Acting/Music Theatre students.)
24-326. Voice and Movement for the Actor I
Application of voice and movement techniques as they relate to performance assignments. Emphasis may be on one or both disciplines as necessary. (Prerequisite: 24-227.) (1.50 credit hours.) (May be taken twice for credit.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-327. Voice and Movement for the Actor II
Advanced application of voice and movement techniques as they relate to performance assignments. Emphasis may be on one or both disciplines as necessary. (Prerequisite: 24-326.) (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-330. Theatre in the Twentieth Century
A study of major theatrical movements and experiments in theatre during the twentieth century. (Open to non-Dramatic Art majors.)
24-333. Canadian Theatre History
A study of the evolution of theatre in Canada. (Open to non-Dramatic Art majors.)
24-335. World Theatre History
A lecture/demonstration course devoted to the study of artistic traditions in non-Western theatres, such as those of India, China, Japan, Africa, and the Middle East. (Open to non-Dramatic Art majors.)
24-344. Directing II
A practical course involving rehearsal techniques and the presentation of scenes or one-act plays. (Prerequisite: 24-244 or consent of instructor.) (Laboratory hours by arrangement.)
24-351. Production Problems
Advanced explorations of current trends, materials, or practices in performance or non-performance, with an emphasis on problem solving techniques. The student will research and develop solutions to one or more production problems and present his/her findings in a seminar situation. (Prerequisite: previous experience/courses in the subject area(s) explored and, consent of a faculty advisor and Director of the School.) (Hours by arrangement.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-352. Production Problems
Advanced explorations of current trends, materials, or practices in performance or non-performance, with an emphasis on problem solving techniques. The student will research and develop solutions to one or more production problems and present his/her findings in a seminar situation. (Prerequisite: previous experience/courses in the subject area(s) explored and, consent of a faculty advisor and the Director of the School.) (May be repeated for credit if assignments or their treatments are significantly varied.) (Hours by arrangement.)
24-353. Production Problems: Stage Management
A theoretical and practical course examining the duties and responsibilities of the theatrical stage manager, including rehearsal procedures, protocol and etiquette, assembling the production script, cuing methods and notations, and security/safety regulations. (Prerequisite: previous experience/courses in the subject area(s) explored and consent of a faculty advisor.) (May be repeated for credit if assignments or their treatments are significantly varied.) (Laboratory hours by arrangement.)
24-370. Drama in the Classroom: Principles and Theories
A course in the use of drama as it relates to the school curriculum and the community. (Prerequisite: 24-271.) (Restricted to Drama in Education and Community students only.)
24-371. Literacy in Action
A course in the use of drama as it relates to the development of literacy in classroom and community settings. (Prerequisite: 24-370.) (Restricted to Drama in Education and Community students only.)
24-372. Drama in the Classroom: Applications I
Applications of drama as they relate to the curriculum for Grades K through Six. Individual learning difficulties, including special needs will be discussed. Completion of a classroom contact is required. (Field contacts are with the consent of Drama in Education instructors and may be outside class time.) (Prerequisite: 24-370 or consent of instructor.) (Restricted to Drama in Education and Community students only.)
24-373. Drama in the Classroom: Applications II
Applications of drama as they relate to the curriculum for Grades Seven through Twelve and OAC. Individual learning difficulties, including special needs will be discussed. Completion of a classroom contact is required. (Field contacts are with the consent of Drama in Education instructors and may be outside class time.) (Prerequisite: 24-371 or consent of instructor.) (Restricted to Drama in Education and Community students only.)
24-377. Drama and Community: Principles and Theories I
A practical introduction to principles, theories, and applications of drama and theatre techniques to promote and maintain health and well-being for individuals and communities. Focus will be on developing skills in leadership and facilitation in a wide range of community settings. (Pre-requisite: 24-370 or consent of instructor).
24-378. Special Topics in Drama in Education
Investigation of current research in Drama in Education through structured readings and independent study. (Prerequisite: 24-373 or consent of instructor.)
24-384. Creative Movement and Voice II
Continuation of 24-284. The study and practice of movement and voice as they relate to the individual, theatre, and the classroom. Emphasis may be on one or both disciplines as necessary. (Prerequisite: 24-284 or consent of instructor.) (Laboratory hours by arrangement.)
24-400. Style in Theatre
An exploration of selected theatrical styles. Topics and materials may vary from year to year. (Students may use this course number to register for the Stratford Summer Campus. Contact Dramatic Art for further information.) (May be repeated for credit twice if assignments or approaches are significantly varied.)
24-420. Graduation Recital
The selection, preparation, and presentation of suitable audition material in a recital situation. An introduction to the business of being a professional actor will be addressed. (Prerequisite: All required first, second, and third year BFA performance courses; restricted to fourth-year BFA Acting/Music Theatre students only.) (Laboratory hours by arrangement.)
24-421. Television Performance
Introduction to basic television performance techniques. Each student performs behind and in front of the camera although the emphasis is on performance. (Prerequisite: 24-225 or 24-235, or by consent of instructor. Restricted to third- and fourth-year Dramatic Art and Communication Studies students.) (May be taken for credit twice.)
24-422. Advanced Television Performance/Production
Students work individually or in small groups under the supervision of an instructor in the execution of a project for television. (Prerequisite: 24-421 or consent of instructor.) (2 lecture hours, 4 laboratory hours per week.) (May be taken for credit twice.)
24-429. Character Study
Independent work in researching, developing, and presenting character projects based on life studies. (Restricted to Fourth year B.F.A. Acting/Music Theatre students only.) (May be taken for credit twice with consent of instructor if assignments or their treatments are significantly varied.)
24-439. Directed Studies in History, Theory, or Theatre Administration
Designed for the advanced student who wishes to explore a special area of history, theory, or theatre administration with a faculty advisor. (Prerequisite: consent of a faculty advisor.) (May be taken for credit twice if assignments or their treatments are significantly varied.) (Hours by arrangement.)
24-449. Directed Studies in Direction
Designed for the advanced student who wishes to explore a special area of direction with a faculty advisor. (Prerequisite: consent of the faculty advisor.) (May be taken for credit twice.)
24-451. Performance Seminar
Study of professional practice and performance in theatre art in a work-in-progress situation. (Restricted to B.F.A. Acting/Music Theatre students only.)
24-452. Directed Studies in Production
A series of theatrical play production situations in which the advanced student will research, develop, and execute a major technical/design assignment under the supervision of a faculty advisor. (May be repeated for credit if assignments or approaches are significantly varied.) (Prerequisite: consent of a faculty advisor.)
24-453 to 24-457. Directed Studies in Performance
The emphasis in these courses will be a series of plays selected and produced by Dramatic Art. Students will research, develop, and execute a role in the performance situation under the supervision of a faculty advisor-director. (May be taken for credit twice.) (Restricted to fourth-year B.F.A. Acting/Music Theatre students only.)
24-458. Music Theatre Ensemble Production
The emphasis in this course will be the production of a musical play selected and produced by Dramatic Art and Music. Students will research, develop, and execute a role in the performance situation under the supervision of a faculty advisor-director. (May be taken for credit twice.) (Restricted to fourth-year B.F.A. Music Theatre/Acting students only.)
24-469. Directed Studies in Cross-Cultural Theatre
Designed for the advanced student who wishes to explore a special area of theatre of a unique culture with a faculty advisor. (Prerequisite: previous experience/courses in the subject area(s) explored and consent of a faculty advisor.) (Restricted to students in Semester 5 and above.) (May be taken for credit twice.)
24-470. Drama and Community: Principles and Theories II
Research and practical work in the history, principles, and techniques of drama and theatre as they relate to community, educational, and healthcare settings. Students may explore international perspectives on topics such as: Drama/Theatre and disabilities, Theatre in Education, Socio-political Theatre, Popular Theatre, and Theatre for young audiences. (Prerequisites: 24-277, 24-284, and 24-377, or consent of instructor.)
24-471. Drama and Community: Applications
A project-based, practical course in the principles and techniques of drama and theatre as they relate to community, educational, and healthcare settings. Students may develop and deliver projects based on topics such as: Drama/Theatre and disabilities, Theatre in Education, Socio-political Theatre, Popular Theatre, and Theatre for young audiences. (May be taken for credit twice.) (Prerequisite: 24-470, or consent of instructor.) (3 lecture, 3 laboratory hours a week.)
24-479. Directed Studies in Drama in Education and Community
Independent, directed study in a special area of interest in drama in education under the supervision of a faculty advisor. (May be taken for credit twice.) (Prerequisite: 24-378 and consent of the faculty advisor.) (Placement hours by arrangement.) |