DRAMATIC ART: COURSES
Not all courses listed will necessarily be offered each year. Courses are three hours a week (3.00 credit hours) unless otherwise indicated.
24-100. The Nature of Theatre I
Introduction to the Process of Theatre. Two of the following topics will be covered: the analysis of the play script; the mechanics of performance; the principles of direction; and the theories of design/technical theatre. Nature of Theatre is a two-part sequence, required for majors in all School of Dramatic Art programs. A laboratory assignment supporting the production schedule of University Players is required for either 24-100 or 24-200. Three critical writing assignments are required for the term in which a laboratory is not taken. This course must be successfully completed in the first year of the program. (Laboratory hours by arrangement).
24-111. Theatre in Contemporary Culture
An examination of factors and principles involved in an audience's appreciation of theatre. (No prerequisite.) (Open to non-Dramatic Art majors.)
24-115. Stagecraft I
Introductory course specifically directed toward the technical aspects of scenic construction.
24-120. Voice for the Actor I
An introduction to the study and practice of voice and speech for the theatre. (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-121. Voice for the Actor II
Continuation of 24-120. The study and practice of voice and speech for the theatre. (Restricted to B.F.A. Acting students only.) (Prerequisite: 24-120.) (Laboratory hours by arrangement.)
24-126. Movement for the Actor I
An introduction to the study and practice of movement for the actor. (1.50 credit hours) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-127. Movement for the Actor II
Continuation of 24-126. The study and practice of movement for the actor. (Prerequisite: 24-126.) (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-128. Improvisation and Introduction to Acting for the Theatre I
An introduction to the study and practice of acting with an emphasis on the basic elements of improvisation. (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-129. Improvisation and Introduction to Acting for the Theatre II
Continuation of 24-128. The study and practice of basic elements of acting and improvisation (Prerequisite: 24-128.) (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-130. Theatre History I
Critical approaches to the main elements of Greek and Roman theatre, medieval western and Asian theatre, Italian, Spanish, and English Renaissance Theatre. (Open to non-Dramatic Art majors.)
24-160. Introduction to Drama in Education and Community I
An introduction to the principles, theories and applications of Drama in Education and Community with an emphasis on creativity, storytelling, and the developmental aspects of play. (Restricted to Drama in Education and Community Majors, or consent of instructor.)
24-161. Introduction to Drama in Education and Community II
A continuing study of Drama in Education and Community. (Prerequisite: 24-160 or consent of instructor.) (Restricted to Drama in Education and Community Majors, or consent of instructor.)
24-200. The Nature of Theatre II
Continuation of 24-100. Two topics not covered in 24-100 will be covered in 24-200. Nature of Theatre is a two-part sequence, required for majors in all School of Dramatic Art programs. A laboratory assignment supporting the production schedule of University Players is required for either 24-100 or 24-200. Three critical writing assignments are required for the term in which a laboratory is not taken. This course must be successfully completed in the first year of the program. (Laboratory hours by arrangement).
24-210. Speech Communication to Inform
A beginning course designed to help the student to develop poise and confidence in communicating information. (Not available on an Audit basis.)
24-211. Scenic Design I
Introduction to the technical aspects of design for the stage; communicating the design idea through basic drafting techniques. (Prerequisite: 24-115, or consent of instructor.)
24-212. Scenic Design II
Problems related to the designing of a multi-set production; communicating the design idea through the use of drafting, models, and colour renderings. (Prerequisite: 24-211 and 24-213, or consent of instructor.)
24-213. Scene Painting for the Theatre
Laboratory and demonstration course with an emphasis on materials, texturing techniques, and the creation of three-dimensional effects.
24-215. Lighting Design I
The introduction and application of basic principles, including electricity, instruments, and design theory. (Laboratory hours by arrangement.) (Prerequisite: 24-115.)
24-216. Stage Lighting II
Continuation of 24-215, with particular emphasis on expanded technologies and lighting for non-proscenium formats. (Prerequisite: 24-215, or consent of the instructor.)
24-217. Costume Design
Introduction to the principles of costume design for the stage; character analysis; and costume rendering.
24-219. Costume Design II
Continuation of 24-217, involving theoretical and practical design projects; formal presentation of costume designs. (Prerequisite: 24-217, or consent of the instructor.)
24-220. Voice for the Actor III
Continuation of 24-121. The study and practice of voice and speech for the theatre. (Prerequisite: 24-121.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-221. Voice for the Actor IV
Continuation of 24-220. The study and practice of voice and speech for the theatre. (Prerequisite: 24-220.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-223. Acting for the Theatre I
Continuation of 24-129. The emphasis will be on acting exercises, script analysis and scene work. (Prerequisite: 24-129.) (Restricted to B.F.A. Acting students only.) (May be taken twice with the consent of instructor if assignments or their treatments are significantly varied.)
24-224. Acting for the Theatre II
Continuation of 24-223. The emphasis will be on the analysis and performance of scenes from plays. (Prerequisite: 24-223.) (Restricted to B.F.A. Acting students only.) (May be taken twice with the consent of instructor if assignments or their treatments are significantly varied.)
24-225. Introductory Acting I
A practical study of the fundamentals of acting experienced through acting exercises. (Not open to B.F.A. Acting students.)
24-226. Movement for the Actor III
Continuation of 24-127. The study and practice of movement for the actor. (Prerequisite: 24-127.) (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-227. Movement for the Actor IV
Continuation of 24-226. The study and practice of movement for the actor. (Prerequisite: 24-226.) (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-228. Improvisation for the Theatre
Exercises in improvisation designed to support the rehearsal process for scripted works (Prerequisite: 24-129. Co-requisite: 24-223 or 24-224.) (Restricted to BFA Acting majors only.) (Laboratory hours by arrangement.)
24-229. Dance for the Theatre
A practical course in a variety of dance styles for the theatre.(Not open to B.F.A. Acting Majors except by consent of instructor.) (Laboratory hours by arrangement.)
24-230. Theatre History II
Critical approaches to the main elements of theatre of the seventeenth, eighteenth, and nineteenth centuries. (Open to non-Dramatic Art majors.)
24-235. Introductory Acting II
Emphasis is on acting exercises based on script analysis. (Prerequisite: 24-225, or consent of instructor.) (Not open to B.F. A. Acting students.)
24-244. Directing I
An examination of the principles of play direction, including the role of the director, choosing plays, casting, analysis, picturization and composition, rehearsal techniques, and scene presentation. (Prerequisite: 24-225, or consent of instructor.) (Laboratory hours by arrangement.)
24-250. Stage Makeup
An introduction to the theory and practice of theatrical makeup application. Topics covered will include basic stage makeup, corrective makeup and aging. (Restricted to Drama majors only.)
24-260. Drama in the Classroom: Principles and Theories
A course in the use of drama as it relates to the school curriculum and the community. (Prerequisite: 24-161.) (Restricted to Drama in Education and Community students only.)
24-261. Drama in the Classroom: Applications I
Applications of drama as they relate to the curriculum for Grades K through Six. Completion of a classroom contact is required. (Field contacts are with the consent of Drama in Education and Community instructors and may be outside class time.) (Prerequisite: 24-260 or consent of instructor.) (Restricted to Drama in Education and Community students only.)
24-272. The Creative Process
An introduction to the creative process through an exploration of various theories, principles, and techniques of selected theorists and innovative thinkers. Students may explore such topics as: Creative Problem Solving, Idea Generation, and Innovation. Through academic study and practical work, students will explore ways of developing their own creative potential and applying it to their daily lives. (Not open to 1st year students.)
24-275. Principles and Practices of Arts Administration
Structures and functions of arts organizations. Examination of core competencies as applied to arts organizations: marketing and publicity, financial management, various forms of fund-raising, board and volunteer management, and interaction with Unions and Associations. (Credit may not be obtained for both 24-275 and 01-360.)
24-277. Improvisation and Self Development
Involves the development of performance skills through a practical application of theatre games and basic elements of improvisation with emphasis on self-development. (Prerequisite: 24-161 or consent of instructor.) (Individual course sections may be restricted to Drama in Education and Community students only.)
24-278. Improvisation: Working with Text
A continuation of the study of improvisation. Involves practical applications of improvisation to improvised scenes and written texts. (Prerequisite: 24-277 or consent of instructor.) (Individual course sections may be restricted to Drama in Education and Community students only.)
24-284. Creative Movement and Voice I
The study and practice of movement and voice as they relate to the individual, theatre, and the classroom. Emphasis may be on one or both disciplines as necessary. (Prerequisite: 24-100 or consent of instructor.) (Laboratory hours by arrangement.)
24-309. Oral Interpretation of Literature
A course designed to bring to the student an understanding of effective methods of content analysis and presentation of literature. Various kinds of literature will be chosen by the student through the oral interpretation of which he or she may demonstrate an understanding and ability.
24-310. Readers' Theatre
A study of the principles and techniques involved in script-in-hand acting and of dramatic play-reading. (Prerequisite: 24-225 or 24-277.)
24-315. Stage Management
A study of the role of the theatrical stage manager. Particular emphasis will be given to rehearsal organization and communication, cue notation, crew supervision, safety issues, Canadian Actors' Equity guidelines, and managing the production while in technical/dress rehearsals and performance. (Prerequisite: 24-200, or consent of the instructor.)
24-319. Studies in Design
Designed for the advanced student who wishes to explore further studies in scenic, lighting, or costume design. (Prerequisite: consent of a faculty advisor.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-321. Acting-Work in Progress I
Rehearsal project in a performance style selected by Dramatic Art. The play or scenes from plays become the catalyst for the discovery of the style related to its period. (Prerequisite: 24-224.) (Restricted to B.F.A. Acting students only.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-322. Acting-Work in Progress II
Rehearsal project in a performance style selected by Dramatic Art. The play or scenes from plays become the catalyst for the discovery of the style related to its period. (Prerequisite: 24-224.) (Restricted to B.F.A. Acting students only.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-323. Acting-Work in Progress III
Rehearsal project in a performance style selected by Dramatic Art. The play or scenes from plays become the catalyst for the discovery of the style related to its period. (Prerequisite: 24-224.) (Restricted to B.F.A. Acting students only.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-324. Acting-Work in Progress IV
Rehearsal project in a performance style selected by Dramatic Art. The play or scenes from plays become the catalyst for the discovery of the style related to its period. (Prerequisite: 24-224.) (Restricted to B.F.A. Acting students only.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-325. Intermediate Acting III
Emphasis is on the development of situation and characterization. The period to be studied may vary from year to year. (Prerequisite: 24-235 or consent of instructor.) (Not open to B.F.A. Acting students.)
24-326. Voice and Movement for the Actor I
Application of voice and movement techniques as they relate to performance assignments. Emphasis may be on one or both disciplines as necessary. (Prerequisite: 24-227.) (1.50 credit hours.) (May be taken twice for credit.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-327. Voice and Movement for the Actor II
Advanced application of voice and movement techniques as they relate to performance assignments. Emphasis may be on one or both disciplines as necessary. (Prerequisite: 24-221.) (1.50 credit hours.) (Restricted to B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-330. Theatre from the Twentieth Century to the Present Day
Critical approaches to major theatrical movements and experiments in theatre during the twentieth and twenty-first centuries. (Open to non-Dramatic Art majors.)
24-333. Canadian Theatre History
A study of the evolution of theatre in Canada. (Open to non-Dramatic Art majors.)
24-344. Directing II
A practical course involving rehearsal techniques and the presentation of scenes or one-act plays. (Prerequisite: 24-244 or consent of instructor.) (Laboratory hours by arrangement.)
24-351. Production Problems
Advanced explorations of current trends, materials, or practices in performance or non-performance, with an emphasis on problem solving techniques. The student will research and develop solutions to one or more production problems and present his/her findings in a seminar or performance situation. (Prerequisite: A minimum of two courses and/or equivalent experience in the subject area(s) explored and, consent of a faculty advisor and Director of the School.) (Hours by arrangement.) (May be repeated for credit if assignments or their treatments are significantly varied.)
24-352. Production Problems
Advanced explorations of current trends, materials, or practices in performance or non-performance, with an emphasis on problem solving techniques. The student will research and develop solutions to one or more production problems and present his/her findings in a seminar or preformance situation. (Prerequisite: A minimum of two courses and/or equivalent experience in the subject area(s) explored and, consent of a faculty advisor and the Director of the School.) (May be repeated for credit if assignments or their treatments are significantly varied.) (Hours by arrangement.)
24-353. Production Problems: Stage Management
A theoretical and practical course examining the duties and responsibilities of the theatrical stage manager, including rehearsal procedures, protocol and etiquette, assembling the production script, cuing methods and notations, and security/safety regulations. (Prerequisite: 24-315 plus previous experience as an assistant stage manager and consent of a faculty advisor.) (May be repeated for credit if assignments or their treatments are significantly varied.) (Laboratory hours by arrangement.)
24-360. Drama in the Classroom: Applications II
Applications of drama as they relate to the curriculum for Grades Seven through Twelve. Completion of a classroom contact is required. (Field contacts are with the consent of Drama in Education and Community instructors and may be outside class time.) (Prerequisite: 24-261 or consent of instructor.) (Restricted to Drama in Education and Community students only.)
24-371. Literacy in Action
A course in the use of drama as it relates to the development of literacy in classroom and community settings. (Prerequisite: 24-261.) (Restricted to Drama in Education and Community students only.)
24-377. Drama and Community: Principles and Theories
A practical introduction to principles, theories, and applications of drama and theatre techniques to promote and maintain health and well-being for individuals and communities. Focus will be on developing skills in leadership and facilitation in a wide range of community settings. (Pre-requisite: 24-261 or consent of instructor.)
24-378. Theatre for Social Action
A study of the theory, practice, and development of popular, community, and collective theatre. Students will examine various approaches to theatre for social action through a combination of academic study and practical exercises in specific popular theatre techniques, including Theatre of the Oppressed and Playback Theatre. (Open only to 3rd and 4th year Drama in Education and Community students or by consent of Instructor.) (May be repeated for credit twice if assignments or approaches are significantly different.)
24-384. Creative Movement and Voice II
Continuation of 24-284. The study and practice of movement and voice as they relate to the individual, theatre, and the classroom. Emphasis may be on one or both disciplines as necessary. (Prerequisite: 24-284 or consent of instructor.) (Laboratory hours by arrangement.)
24-400. Style in Theatre
An exploration of selected theatrical styles. Topics and materials may vary from year to year. (Students may use this course number to register for the Stratford Summer Campus. Contact Dramatic Art for further information.) (May be repeated for credit twice if assignments or approaches are significantly varied.)
24-420. Graduation Recital
The selection, preparation, and presentation of suitable audition material in a recital situation. An introduction to the business of being a professional actor will be addressed. (Prerequisite: All required first, second, and third year B.F.A. performance courses; restricted to fourth-year B.F.A. Acting students only.) (Laboratory hours by arrangement.)
24-421. Television Performance
Introduction to basic television performance techniques. Each student performs behind and in front of the camera although the emphasis is on performance. (Prerequisite: 24-225 or 24-235, or by consent of instructor. Restricted to third- and fourth-year Dramatic Art and Communication Studies students.) (May be taken for credit twice.)
24-429. Character Study
Independent work in researching, developing, and presenting character projects based on life studies. (Restricted to Fourth year B.F.A. Acting students only.) (May be taken for credit twice with consent of instructor if assignments or their treatments are significantly varied.)
24-439. Directed Studies in History, Theory, or Theatre Administration
Designed for the advanced student who wishes to explore a special area of history, theory, or theatre administration with a faculty advisor. (Prerequisite: consent of a faculty advisor.) (May be taken for credit twice if assignments or their treatments are significantly varied.) (Hours by arrangement.)
24-449. Directed Studies in Direction
Designed for the advanced student who wishes to explore a special area of direction with a faculty advisor. (Prerequisite: consent of the faculty advisor.) (May be taken for credit twice.)
24-451. Performance Seminar
Study of professional practice and performance in theatre art in a work-in-progress situation. (Restricted to B.F.A. Acting students only.)
24-452. Directed Studies in Production
A series of theatrical play production situations in which the advanced student will research, develop, and execute a major technical/design assignment under the supervision of a faculty advisor. (May be repeated for credit if assignments or approaches are significantly varied.) (Prerequisite: consent of a faculty advisor.)
24-453 to 24-458. Directed Studies in Performance
The emphasis in these courses will be a series of plays selected and produced by Dramatic Art or by a theatre company outside of the University as approved by Dramatic Art. Students will research, develop, and execute a role in the performance situation under the supervision of a faculty advisor-director. (May be taken for credit twice.) (Restricted to students who have successfully completed the third year of the B.F.A. Acting Program.)
24-469. Directed Studies in Cross-Cultural Theatre
Designed for the advanced student who wishes to explore a special area of theatre of a unique culture with a faculty advisor. (Prerequisite: previous experience/courses in the subject area(s) explored and consent of a faculty advisor.) (Restricted to students in Semester 5 and above.) (May be taken for credit twice.)
24-470. Theatre for Young Audiences
Research and practical work in the history, principles, and techniques of theatrical performance by, with, and for young audiences. Students may explore international perspectives on topics such as: Theatre in Education, Children's Theatre, Theatre for Youth, Collective Creation, and Devised Theatre. (Prerequisites: 24-277, 24-284, 24-225.) (May be repeated for credit twice if assignments or approaches are significantly varied.)
24-471. Drama and Community: Applications
A project-based practical course in the principles and techniques of drama and theatre as they relate to community, educational, and healthcare settings. Students will develop and deliver projects based on topics such as: Drama/Theatre and Disabilities, Theatre in Education, Socio-political Theatre, Popular Theatre, and Theatre for Young Audiences. Projects will be driven by the current research interest and involvement of the instructor or the need and interests of community groups. (Open only to 3rd and 4th year Drama in Education and Community students or by consent of instructor.) (May be repeated for credit if assignments or approaches are significantly varied.)
24-479. Directed Studies in Drama in Education and Community
Independent, directed study in a special area of interest in drama in education under the supervision of a faculty advisor. (May be taken for credit twice.) (Prerequisite: 24-371 and 24-377 or consent of the faculty advisor.) (Placement hours by arrangement.)